Filming The Fantastic

Stop Motion Animation DVD

Filming the Fantastic is the new book on visual effects cinematography based on the experiences of award winning visual effects artist Mark Sawicki.

Mark traces the beginnings of the art of visual effects from the silent era to today highlighting the basic fundamentals that are the foundations of the craft. Throughout the heavily illustrated text Mark highlights historic milestones of effects photography and then demonstrates the principles using simple camera technique. The book is not software or digital centric but focuses on lighting and lenses that are the common denominator of all visual effects regardless of the medium.

Mark Sawicki and effects supervisor Glenn Campbell have been teaching visual effects at UCLA Extension for well over 15 years keeping pace with the rapidly changing craft throughout its transition into digital technology. The students were kept abreast of the latest methods through a series of lectures by visiting visual effects supervisors. Mark’s lectures on traditional technique were the foundation for the digital methods currently in use. Sawicki and Campbell had seen a tremendous confusion among the newer artists who dealt with software only. The new generation had never seen a film camera or used lenses or lights. The aesthetic principles of perspective, color and balance were left out in the rush to learn new software, menu trees and render set-ups. As a result much of the computer graphics effects of this new wave looked cartoonish and false. The UCLA class had as its mission to preserve the hard won lessons of the past and teach what makes an effect work regardless of the medium.

 

HOW IT CAME TO BE


During one of the many speaking engagements undertaken by Mr. Sawicki he came to be acquainted with writer and speaker Debra Kaufman (currently the West Coast Editor of FILM and VIDEO magazine). As time went by renowned academic publisher Focal Press asked Ms. Kaufman if she had any suggestions for someone to author the difficult subject of visual effects. Debra introduced Mark to Focal Press and the project was launched. Focal Press had a flagship book on the subject: “Special Visual Effects Cinematography” by Raymond Fielding first published in 1965. This book was considered the “Bible” for visual effects practitioners throughout the years including Mark Sawicki. So much had changed since that books publication that the time was ripe to create a new book that addressed the accomplishments of the past and placed them in the current technology environment. After much consideration Mark felt that many books on the subject were software oriented and became obsolete almost before they were printed and that is why his book takes a traditional approach and outlines the planning and execution of effects so that the new artists can learn to photograph elements properly for easy compositing using whatever the current software is at the moment. By blending history, traditional principles and a touch of humor, Mark has written a book that will have longevity for years to come.